Kareena Kapoor, known for her bold and dynamic roles in Bollywood, recently praised fellow actresses Deepika Padukone and Kangana Ranaut for their resilience and determination in demanding better pay and roles in the film industry. Speaking at a recent ABP conclave, Kareena highlighted the significant strides made by actresses like Deepika Padukone, Kangana Ranaut, and Vidya Balan, who have all...
Kareena Kapoor, known for her bold and dynamic roles in Bollywood, recently praised fellow actresses Deepika Padukone and Kangana Ranaut for their resilience and determination in demanding better pay and roles in the film industry. Speaking at a recent ABP conclave, Kareena highlighted the significant strides made by actresses like Deepika Padukone, Kangana Ranaut, and Vidya Balan, who have all played pivotal roles in reshaping the narrative for women in films.
According to Kareena, these actresses, including herself, have pushed boundaries by choosing roles that transcend mere screen presence. “I think it has changed because a lot of strong women have done a lot of strong parts in films. They have done films that have been loved by the audiences, by the masses, by the film people, by critics, and at the box office,” she shared.
Kareena Kapoor also emphasized the impact of demanding roles that challenge the status quo, stating, “So, whether it’s leading actresses like Kangana Ranaut, Vidya Balan, Deepika Padukone or myself, we’ve always tried to stand for roles that have risen above just being there in the film. So, all has changed a lot of dynamics on many levels, like demanding a certain role, a certain fee, or position.”
The actress also addressed the prevailing stereotype around age in the film industry, emphasizing that age is merely a number. She expressed gratitude towards the evolving mindset of the audience, stating, “Today the audience has become accepting. Age is just a number, it’s as old as you look, you have to be fit, you have to look good, because it’s a visual medium so we have to look after ourselves.”
Reflecting on her journey, Kareena Kapoor shared her contentment with her current phase in life, stating, “I don’t want to ever be a 21-year-old again, I’m very happy. At 21, I was so much more hyper, and anxious and I’m much calm, and I’m in a happy place in my 40s.”
Kareena Kapoor is now gearing up for the release of “Crew,” a film co-starring Tabu and Kriti Sanon. The actress also made her debut in the OTT space with the 2023 Netflix film “Jaane Jaan.”
With her unwavering stance on demanding better roles and pay, Kareena Kapoor continues to inspire a new generation of actresses to challenge conventions and carve their own paths in the film industry.
IT WAS NOT EASY TO DANCE WITH 30-40kg COSTUME IN PERIOD FILMS
Bollywood is celebrated for bigger than life motion pictures over the world, so also our motion pictures are known for huge time enthusiastic, family values, music, colours & ofcourse it’s ensembles. Indian film ensembles are world famous. Every on-screen characters looks flawless with overwhelming ensembles but at the same time it’s not simple to carry such overwhelming stacked stuff. There...
Bollywood is celebrated for bigger than life motion pictures over the world, so also our motion pictures are known for huge time enthusiastic, family values, music, colours & ofcourse it’s ensembles. Indian film ensembles are world famous.
Every on-screen characters looks flawless with overwhelming ensembles but at the same time it’s not simple to carry such overwhelming stacked stuff. There are few stories behind these costume’s.
Aishwarya Rai Bachchan wore a add up to of 40 kg gems amid the complete motion picture (Jodha Akbar).
Madhuri Dixit wore a 30-kg lehenga for Kaahe Chhed Mohe in Devdas. Her equip was planned by Abu Jani and Sandeep Khosla. Too, most of Madhuri and Aishwarya Rai Bachchan's ensembles in this film taken a toll the creators around Rs 10-15 lakhs.
Deepika Padukone in Bajirao Mastani wore a 20 kg shield suit for a battle scene.
The performing artist wore a 30 kg ghagra in Goliyon ki Raasleela: Slam Leela. Her equip was outlined by Anju Modi and was 50 meters long. Too, the one ensemble that gathered the foremost consideration was the one she worn within the Ghoomar tune from the film Padmaavat.
According to reports, the equip weighed around 30kgs and the adornments for the tune was lovely. It had taken over 200 craftsmen, 600 days and 400 kg of gold to induce the pieces right for the tune.
Reason Behind Satish Kaushik Rejecting Aamir Khan for ‘Mr. India’
Picture this: a young Aamir Khan, bursting with Bollywood dreams, boldly steps into the world of Shekhar Kapur’s Mr India. Little did he know, he was about to face a twist in his journey! In an epic interview saga, Aamir spilled the beans on the time he tried impressing Satish Kaushik, who was not just the chief assistant director but...
Picture this: a young Aamir Khan, bursting with Bollywood dreams, boldly steps into the world of Shekhar Kapur’s Mr India. Little did he know, he was about to face a twist in his journey!
In an epic interview saga, Aamir spilled the beans on the time he tried impressing Satish Kaushik, who was not just the chief assistant director but also the gatekeeper to Aamir’s assistant director dreams. Cue the dramatic music!
Our hero, armed with impressive paperwork (apparently a rare feat in the industry back then), showcased his skills. “I had gone and met Shekhar Kapur because he was one of my favourite directors. So I told him that I want to work with you as an assistant. At that time, Satish Kaushik was his chief assistant director,” Aamir narrates, setting the scene.
Now, here comes the plot twist! Satish Kaushik, ever the discerning boss, was left in awe of Aamir’s paperwork magic. But, oh boy, Aamir’s charm didn’t quite clinch the assistant director role. Why? Well, it turns out Satish, the captain of the ship, had his eyes set on something unexpected – a car! Yep, you read it right.
In the grand reveal, Aamir learned, “Later Satish told me that when you had come for a meeting with me, you came in a car, and I didn’t have a car. So, I felt that the junior who I will hire has a car.” Talk about a plot twist worthy of a Bollywood blockbuster!
Ever the quick-witted hero, Aamir tried to reason that the car wasn’t actually his. But, alas, destiny had other plans, and Aamir missed out on being the assistant director of Mr India.
So, there you have it – the tale of Aamir Khan’s ‘car-mical’ audition for Mr India. Who knew a four-wheeled companion could decide the fate of a Bollywood dream? As Satish Kaushik soared to fame, Aamir Khan’s adventure in the film industry took a different route, leaving us with a story that’s as entertaining as any Bollywood flick. Cue the applause!
Dilip Kumar’s Mughal-e-Azam – The First Bollywood Film Shot in Three Languages
Dilip Kumar’s “Mughal-e-Azam”, released in 1960, holds a special place in the history of Indian cinema as the first Bollywood film shot in three languages. Directed by K. Asif, the magnum opus, featuring Prithviraj Kapoor, Madhubala, and Dilip Kumar, began its ambitious journey in 1944 and faced numerous challenges before making it to the big screen 16 years later. This...
Dilip Kumar’s “Mughal-e-Azam”, released in 1960, holds a special place in the history of Indian cinema as the first Bollywood film shot in three languages. Directed by K. Asif, the magnum opus, featuring Prithviraj Kapoor, Madhubala, and Dilip Kumar, began its ambitious journey in 1944 and faced numerous challenges before making it to the big screen 16 years later.
This cinematic masterpiece, initially released in black-and-white, achieved iconic status and, in 2009, underwent a re-release in colour print. The film’s timeless narrative, coupled with its opulent production, resonates with audiences even today, making it a cult classic in the period drama genre.
What sets Mughal-e-Azam apart is the lesser-known fact that it was a trilingual film, shot in Hindi, Tamil, and English. While the Hindi version soared to great heights, the Tamil version met with an unexpected setback at the box office, leading to its commercial failure. Surprised by this turn of events, the makers decided not to release the English version, abandoning the idea altogether.
The film’s journey, marked by hurdles and triumphs, reflects the dedication and vision of its creators. Despite facing challenges, Mughal-e-Azam remains an enduring masterpiece, with every aspect of the epic, from its dialogues to its songs, holding a special place in the hearts of film enthusiasts. This trilingual experiment, although not without its setbacks, adds another layer to the rich tapestry of Mughal-e-Azam’s cinematic legacy.
THIS WAS THE REASON WHY SHASHI KAPOOR CHASED SHATRUGHAN SINHA WITH A BELT IN HAND
Lights, Camera, Action! Let’s dive into some spicy Bollywood trivia that’s juicier than your favorite gossip magazine! Did you know that once upon a time, the legendary Shashi Kapoor went on a chase through the sets with a belt in hand? And who was the target of his playful fury? None other than the ever-charming Shatrughan Sinha! Seems like our...
Lights, Camera, Action! Let’s dive into some spicy Bollywood trivia that’s juicier than your favorite gossip magazine!
Did you know that once upon a time, the legendary Shashi Kapoor went on a chase through the sets with a belt in hand? And who was the target of his playful fury? None other than the ever-charming Shatrughan Sinha!
Seems like our dear Shatrughan had a bit of a punctuality problem. He had a knack for strolling onto set fashionably late. But oh boy, did it get him into trouble when Kapoor decided enough was enough!
Picture this: Kapoor, belt in hand, hot on Sinha’s heels, all in good fun, of course! Sinha, always the quick wit, turned the whole debacle into a joke, teasing Kapoor about their casting choices.
But behind the scenes drama aside, Sinha had a valid excuse for his tardiness. He was a dedicated yogi, starting his day with a zen-inducing hour of yoga. Can’t blame a guy for wanting to find his inner peace, right?
Despite his fashionably late entrances, Sinha was a director’s dream. With his sharp memory and talent, he breezed through scenes in one take. No wonder directors couldn’t get enough of him!
But wait, there’s more! Sinha spilled some tea about his regrets too. He wished he could have buried the hatchet with the late Rajesh Khanna over their political disagreements. Ah, politics, always stirring the pot!
And that, my friends, is the tale of the Bollywood belt chase! Full of humour, camaraderie, and a dash of regret. Who needs scripted drama when you have Bollywood, the real showstopper!
